عنوان

Scotland :

شابک

074863391X

شابک

0748633928

شابک

9780748633913

شابک

9780748633920

شماره

dltt

عنوان اصلي

Scotland :

نام عام مواد

[Book]

ساير اطلاعات عنواني

global cinema : genres, modes and identities /

نام نخستين پديدآور

David Martin-Jones

نام خاص و کميت اثر

ix, 254 pages :

ساير جزييات

illustrations ;

ابعاد

24 cm

متن يادداشت

Includes bibliographical references (pages 236-243) and index

متن يادداشت

Introduction: Fantasy Scotlands -- 1. Comedy: Global/local identities. Gregory's Two Girls (1999), Festival (2005) -- 2. Road movie: Scotland in the world. Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-resident Indian-Scotland. Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster movie: A return to primal Scotland. The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror film: History Hydes in the Highlands. Dog Soldiers (2002), Wild Country (2005) -- 6. Costume drama: From men in kilts to developing diasporas. The Governess (1998) -- 7. Gangster film: Glasgow's transnational identities. American Cousins (2003), Danny the Dog (2005) -- Female friendship/ US Indie: Women talking. Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: the Global limits of cinematic Scotland. Red Road (2006), Young Adam (2003) -- Conclusion

بدون عنوان

0

متن يادداشت

What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland

موضوع مستند نشده

Motion picture industry-- Scotland-- History

موضوع مستند نشده

Motion pictures-- Scotland-- History

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Martin-Jones, David

تاريخ عمليات

20170714120719.0

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y