\ Robert Stam with Richard Porton and Leo Goldsmith.
Malden, MA
: John Wiley & Sons Ltd
, 2015.
xi, 312 p.
Index
Bibliography
Introduction -- An aesthetic of the commons -- The upside down world of the carnivalesque -- Political modernism and its discontents -- The transmogrification of the negative -- Hybrid variations on a documentary theme -- Hollywood Aristotelianism, the fractured chronotope, and the musicalization of cinema -- Asthetic/political innovation in the digital age -- In guise of a conclusion.