Includes bibliographical references (pages 211-246) and index.
Reading the Banff Park Museum : time, affect, and the production of frontier nostalgia -- Celluloid salvage : Edward S. Curtis's experiments with photography and film -- Salvaging sound at last sight : Marius Barbeau and the anthropological rescue of Nass River Indians -- Repatriation's remainders : Kennewick man, Kwädāy dän ts'ínchhi, and the reinvention of "race."
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Pauline Wakeham decodes the practice of taxidermy as it was performed in North America from the late nineteenth century to the present, revealing its connection to ecological and racial discourses integral to the maintenance of colonial power. Moving beyond the literal practice of stuffing skins, Wakeham theorizes taxidermy as a sign system that conflates animality and aboriginality within colonial narratives of extinction.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
JSTOR
22573/cttbrnmn
Taxidermic signs.
0816650543
Indians of North America-- Antiquities, Exhibitions.
Indians of North America-- Material culture, Exhibitions.
Indians of North America-- Museums.
Museum techniques-- North America.
Taxidermy-- North America.
HISTORY-- Americas (North, Central, South, West Indies)