عنوان
پدید آورنده
موضوع
رده
PN1995.9.I48 R34 2010eb
PN1995
.
9
.
I48
R34
2010eb
کتابخانه
محل استقرار
INTERNATIONAL STANDARD BOOK NUMBER
(Number (ISBN
0803234457
(Number (ISBN
9780803234451
NATIONAL BIBLIOGRAPHY NUMBER
Number
dltt
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
Reservation reelism :
General Material Designation
[Book]
Other Title Information
redfacing, visual sovereignty, and representations of Native Americans in film /
First Statement of Responsibility
Michelle H. Raheja.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Lincoln :
Name of Publisher, Distributor, etc.
University of Nebraska Press,
Date of Publication, Distribution, etc.
©2010.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (xviii, 338 pages) :
Other Physical Details
illustrations.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 291-317) and index.
CONTENTS NOTE
Text of Note
Toward a genealogy of indigenous film theory: reading Hollywood Indians -- Ideologies of (in)visibility: redfacing, gender, and moving images -- Tears and trash: economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation: Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner)
0
SUMMARY OR ABSTRACT
Text of Note
"In this deeply engaging account, Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate"--Provided by publisher.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
PROJMUSE
Source for Acquisition/Subscription Address
JSTOR
Source for Acquisition/Subscription Address
OverDrive, Inc.
Stock Number
22573/ctt1dfnqw9
Stock Number
FB002A1F-DCF3-4856-90D1-E575A8F0530D
Medium
FormOnline
Terms of Availability
CostPaid
TOPICAL NAME USED AS SUBJECT
Indians in motion pictures.
Indians in the motion picture industry-- United States.
Indigenous peoples in motion pictures.
Motion pictures-- United States-- History-- 20th century.
Stereotypes (Social psychology) in motion pictures.
LIBRARY OF CONGRESS CLASSIFICATION
Class number
PN1995
.
9
.
I48
Book number
R34
2010eb
PERSONAL NAME - PRIMARY RESPONSIBILITY
Raheja, Michelle H.
ORIGINATING SOURCE
Date of Transaction
20180416052446.2
Cataloguing Rules (Descriptive Conventions))
pn
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب [Book]
Y
