Finance and fictionality in the early eighteenth century :
General Material Designation
[Book]
Other Title Information
accounting for Defoe /
First Statement of Responsibility
Sandra Sherman.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Cambridge University Press,
Date of Publication, Distribution, etc.
1996.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xii, 222 p. ;
Dimensions
24 cm.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (p. 179-220) and index.
CONTENTS NOTE
Text of Note
1. Credit and its discontents: the credit/fiction homology -- 2. Defoe and fictionality -- 3. Credit and honesty in The Compleat English Tradesman -- 4. Fictions of stability -- 5. Lady Credit's reprise: Roxana.
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SUMMARY OR ABSTRACT
Text of Note
In the early eighteenth century, the increasing dependence of society on financial credit provoked widespread anxiety. The texts of credit - stock certificates, IOUs, bills of exchange - were denominated as potential "fictions," while the potential fictionality of other texts was measured in terms of the "credit" they deserved. Sandra Sherman argues that in this environment finance is like fiction, employing the same tropes. She goes on to show how the work of Daniel Defoe epitomized the market's capacity to unsettle discourse, demanding and evading "honesty" at the same time. Defoe's oeuvre, straddling both finance and literature, theorizes the unsettlement of market discourse, elaborating strategies by which an author can remain in the market, perpetrating fiction while avoiding responsibility for doing so.