Jean Paulhan's interventions in twentieth-century French intellectual history /
First Statement of Responsibility
Michael Syrotinski.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Albany :
Name of Publisher, Distributor, etc.
State University of New York Press,
Date of Publication, Distribution, etc.
c1998.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
x, 208 p. ;
Dimensions
24 cm.
SERIES
Series Title
SUNY series, the margins of literature
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (p. 193-200) and index.
CONTENTS NOTE
Text of Note
Introduction. Figures of Duplicity -- Allegories of Ethnography -- Malagasy Proverbs -- Sacred Language -- Underwriting the Personal: Modesty and the recits -- Jean Paulhan and Jacques Maast -- Modesty, Mania and Other Wor(l)ds -- Coda: Progress in Love? -- Blanchot reading Paulhan -- Who Said Anything About Terror? -- Poetic Justice -- Resistance, Collaboration, and the Postwar Literary Purge in France -- Domestic Spaces, Aesthetic Traces -- Cubes, Cubes, and More Cubes -- Painting by Letters.
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SUMMARY OR ABSTRACT
Text of Note
Defying Gravity is a major reassessment of the work of Jean Paulhan within the context of his own times, as well as in the light of contemporary debates in literary theory. Best known for his long-serving editorship of the influential Parisian literary review, La Nouvelle Revue Francaise, Paulhan is now widely acknowledged as one of the most central yet least understood figures of twentieth-century French intellectual and literary history. Syrotinski's study admirably performs the dual purpose of introducing a genuinely innovative and distinctive writer to a general anglophone readership, while engaging critically with his texts and their reception.
PERSONAL NAME USED AS SUBJECT
Paulhan, Jean,1884-1968-- Criticism and interpretation.