عنوان

'Licit Magic': The Touch And Sight Of Islamic Talismanic Scrolls

Number

TL47814

.Language of Text, Soundtrack etc

انگلیسی

Title Proper

'Licit Magic': The Touch And Sight Of Islamic Talismanic Scrolls

General Material Designation

[Thesis]

First Statement of Responsibility

Yasmine F. Al-Saleh

Subsequent Statement of Responsibility

Roxburgh, David J.; Necipoglu-Kafadar, Gulru

Name of Publisher, Distributor, etc.

Harvard University

Date of Publication, Distribution, etc.

2014

Specific Material Designation and Extent of Item

408

Text of Note

Committee members: Caton, Steve

Text of Note

Place of publication: United States, Ann Arbor; ISBN=978-1-321-01284-2

Dissertation or thesis details and type of degree

Ph.D.

Discipline of degree

History of Art and Architecture

Body granting the degree

Harvard University

Text preceding or following the note

2014

Text of Note

The following study traces the production and history of the talismanic scroll as a medium through a Fatimid, Ayyubid, and Mamluk historical periods. My dissertation understands the protocol of manufacturing and utilizing talismanic scrolls. The dissertation is a study of the Qur'an, prayers and illustrations of these talismanic works. I begin by investigating a theory of the occult the medieval primary sources of the Neo-platonic tenth century Ikhwān al-Safā' and al-Bunī (d.1225). I establish that talismans are generally categorized as science (`ilm). Next, a dynastic spotlight of talismanic scrolls creates a chronological framework for the dissertation. The Fatimid talismanic scrolls and the Ayyubid pilgrimage scrolls are both block-printed and are placed within the larger conceptual framework of pilgrimage and devotion. The two unpublished Mamluk scrolls from Dar Al-Athar Al-Islamiyyah are long beautiful handwritten scrolls that provide a perspective on how the occult is part of the daily life of the practitioner in the medieval Islamic culture. Through an in depth analysis of the written word and images, I establish that textually and visually there is a template for the creation of these sophisticated scrolls. Lastly, I discuss the efficacy of these scrolls, I use theories of linguistic anthropology and return to the Islamic primary sources to establish that there is a language of the occult and there are people that practiced the occult. The word of God and the Qur'ān empower the scrolls I studied. As for the people who practiced the occult, I turn to the tenth century Ibn al-Nadim and Ibn al-Khaldun (d.1406), the people of the occult are understood. Yet, keeping in mind, that there is always a tension with the theologians that condoned practices of Islamic magic.

Art history; Middle Eastern Studies

Subject Term

Social sciences;Communication and the arts;Islamic art;Magic;Manuscripts;Religion;Science;Talismans

Al-Saleh, Yasmine F.

Roxburgh, David J.; Necipoglu-Kafadar, Gulru

Subdivision

History of Art and Architecture

Harvard University

Call Number

1557748316; 3626350

Electronic name

p

[Thesis]

276903

a

Y