Wearing an Authentic Arab Body: New Masculinities in Contemporary Photography
General Material Designation
[Thesis]
First Statement of Responsibility
Alessandra Amin
Subsequent Statement of Responsibility
Mathur, Saloni
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
University of California, Los Angeles
Date of Publication, Distribution, etc.
2015
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
47
GENERAL NOTES
Text of Note
Committee members: Cohen, Meredith; Upton, Dell
NOTES PERTAINING TO PUBLICATION, DISTRIBUTION, ETC.
Text of Note
Place of publication: United States, Ann Arbor; ISBN=978-1-321-76988-3
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Discipline of degree
Art History
Body granting the degree
University of California, Los Angeles
Text preceding or following the note
2015
SUMMARY OR ABSTRACT
Text of Note
Representations of the veiled woman dominate Western collections of contemporary Middle Eastern art. They are also, however, symbolically inextricable from power structures that propagate derogatory tropes of Arab culture, and their proliferation hinders more incisive inquiries into issues of gender in the Middle East. This paper examines how two Middle Eastern photographers, responding to this predicament, have begun to posit new ways of representing resistant bodies, departing from the tired trope of the veil and, in fact, from the female body altogether. An alternative framework for contesting gender relations in the Middle East and associated Western stereotypes can be found in photographic explorations of masculinity, such as Tanya Habjouqa's Fragile Monsters (2009) and Tamara Abdul Hadi's Picture an Arab Man (2009). I argue that these works represent a potential for new and productive inquiries, and innovative means of articulating gendered bodies as resistant to imperialist categories of gender and sexuality.
TOPICAL NAME USED AS SUBJECT
Art Criticism; Art history; Middle Eastern Studies
UNCONTROLLED SUBJECT TERMS
Subject Term
Social sciences;Communication and the arts;Contemporary arab art;Fragile monsters;Gender and sexuality;Habjouqa, Tanya;Hadi, Tamara abdul;Picture an arab man