Corporeality and Positionality in J.M. Coetzee's 'In the Heart of the Country' and Making America Great Again: Trump's Rhetoric of Nation-Building and American Exceptionalism
General Material Designation
[Thesis]
First Statement of Responsibility
Caitlin O'Hara
Subsequent Statement of Responsibility
Schultheis Moore, Alexandra
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
The University of North Carolina at Greensboro
Date of Publication, Distribution, etc.
2017
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
68
GENERAL NOTES
Text of Note
Committee members: Feather, Jennifer; Sanchez, Maria
NOTES PERTAINING TO PUBLICATION, DISTRIBUTION, ETC.
Text of Note
Place of publication: United States, Ann Arbor; ISBN=978-0-355-07723-0
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Discipline of degree
College of Arts & Sciences: English
Body granting the degree
The University of North Carolina at Greensboro
Text preceding or following the note
2017
SUMMARY OR ABSTRACT
Text of Note
"I am among other things a farmgirl living in the midst of the hurlyburly or such paltry hurlyburly as we have in the desert, not unaware that there is a hole between my legs that has never been filled, leading to another hole never filled either" (Coetzee 41). J.M. Coetzee writes In the Heart of the Country as the diary of his main character, Magda. She is a single, white, South African woman who lives at home with her father. My paper, "Corporeality and Positionality in J.M. Coetzee's In the Heart of the Country" explores Coetzee's descriptions of bodies, space, and place in the text. By grounding these descriptions in the historical role of white women in pastoral, apartheid-era South Africa, I demonstrate that Coetzee's descriptions of physical bodies and the actions they perform reflect their place in the colonial order and the spaces they are allowed to occupy. Through this reading, Magda's refusal to acknowledge the black servant characters as individuals despite her own criticism of the place and space she and other single, white women are allowed to inhabit becomes legible. This illuminates Coetzee's larger claims about the failure of the colonial project.