Pentatonicism from the eighteenth century to Debussy /
General Material Designation
[Book]
First Statement of Responsibility
Jeremy Day-O'Connell.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Rochester, NY :
Name of Publisher, Distributor, etc.
University of Rochester Press,
Date of Publication, Distribution, etc.
2007.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xviii, 529 pages :
Other Physical Details
illustrations ;
Dimensions
24 cm.
SERIES
Series Title
Eastman studies in music,
Volume Designation
[v. 46]
ISSN of Series
1092-5228 ;
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 499-514) and index.
CONTENTS NOTE
Text of Note
Scale. The rise of 6 in the nineteenth century -- Signification. The pastoral-exotic pentatonic ; The religious pentatonic -- Beyond signification. The pentatonic glissando ; Debussy and the pentatonic tradition.
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SUMMARY OR ABSTRACT
Text of Note
"Pentatonicism from the Eighteenth Century to Debussy offers the first comprehensive account of a widely recognized aspect of music history: the increasing use of pentatonic ("black-key scale") techniques in nineteenth-century Western art-music." "A more extensive and complex trend than has been acknowledged, pentatonicism in nineteenth-century music encompasses hundreds of instances, many of which predate by decades the more famous examples of Debussy and Dvorak. Pentatonicism from the Eighteenth Century to Debussy weaves together historical commentary with music theory and analysis in order to explain the sources and significance of this important, but hitherto only casually understood, phenomenon." "Central to the books interest and arguments are the discussions of excerpts from repertoire both familiar and forgotten. The illustrated text concludes with an appendix of over 400 examples, a resource that demonstrates the individual artistry with which virtually every major nineteenth-century composer (from Schubert, Chopin and Berlioz to Liszt, Wagner, and Mahler) handled the seemingly "simple" materials of pentatonicism."--BOOK JACKET.