یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 181-196) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Japanese national identity and "banal" cosmopolitization -- Internationalization of Japanese cinema: how Japan was different from the West and above Asia before globalization -- Globalization of film finance: the actually existing cosmopolitanisms of Japanese film producers -- Global America?: American-Japanese film co-productions from Shogun (1980) to The Grudge 2 (2006) via Lost in translation (2003) -- Pan-Asian cinema?: the last of Japan-centered regional cosmopolitanism
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Culture and globalization-- Japan
موضوع مستند نشده
Motion picture industry-- Japan-- History
موضوع مستند نشده
Motion pictures and globalization-- Japan
موضوع مستند نشده
Motion pictures-- Social aspects-- Japan
رده بندی ديویی
شماره
791
.
430952
ويراست
23
رده بندی کنگره
شماره رده
PN1993
.
5
.
J3
نشانه اثر
T498
2012
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )