Remembering Salinger's Franny and Zooey through Pari and the Royal Tenenbaums
نام عام مواد
[Thesis]
نام نخستين پديدآور
Taraneh Zohadi
نام ساير پديدآوران
Schwebel, Sara
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of South Carolina
تاریخ نشرو بخش و غیره
2016
مشخصات ظاهری
نام خاص و کميت اثر
47
يادداشت کلی
متن يادداشت
Committee members: Courtney, Susan
یادداشتهای مربوط به نشر، بخش و غیره
متن يادداشت
Place of publication: United States, Ann Arbor; ISBN=978-1-339-91595-1
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
M.A.
نظم درجات
English
کسي که مدرک را اعطا کرده
University of South Carolina
امتياز متن
2016
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This paper explores the ways in which Mehrjui's Pari and Anderson's The Royal Tenenbaums borrow from Salinger's Franny and Zooey. My argument is that Salinger and the concepts he introduced in the book are remembered through both films. Being a product of their historical/cultural contexts, The Royal Tenenbaums embraces the aesthetics of the text and Pari converses with the spiritual aspect of the main text. Anderson's film captures the United States' preoccupation consumerism and the hollowness at turn of the twenty-first century, while Pari explores the angst and despair in the post Iran-Iraq war context of the film's release, feelings that were similar to that of the post World War II context in which Franny and Zooey was published. All texts introduce concepts like alienation while presenting characters that speak to/for the intellectuals of their time.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Comparative literature; American literature; Film studies
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
Language, literature and linguistics;Communication and the arts;Film;Franny and Zooey;Mehrjui, Dariush;Pari;Salinger, J. D.;The Royal Tenenbaums
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )