Speaking Laterally: Transnational Poetics and the Rise of Modern Arabic and Persian Poetry in Iraq and Iran
نام عام مواد
[Thesis]
نام نخستين پديدآور
Thomas Levi Thompson
نام ساير پديدآوران
Gana, Nouri
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of California, Los Angeles
تاریخ نشرو بخش و غیره
2017
مشخصات ظاهری
نام خاص و کميت اثر
289
يادداشت کلی
متن يادداشت
Committee members: Cooperson, Michael D.; Ingenito, Domenico A.; Rahimieh, Nasrin
یادداشتهای مربوط به نشر، بخش و غیره
متن يادداشت
Place of publication: United States, Ann Arbor; ISBN=978-1-369-82691-3
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
نظم درجات
Near Eastern Languages and Cultures
کسي که مدرک را اعطا کرده
University of California, Los Angeles
امتياز متن
2017
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This dissertation critically investigates the transnational movements that shaped the making of modernist poetry in Iraq and Iran. Following a brief introduction to the project's historical and critical framework, the first chapter provides the dissertation's theoretical foundation. It thus engages conversations about literary commitment, the transnational dimension of literary development, and world literature to situate these two poetries as integral to the broader modernist movement. Chapter Two examines the poetry of Nīmā Yūshīj, the founder of Persian modernist poetry, and the foundational position of premodern Arabic prosody for Persian poetic form. It highlights how Nīmā's innovations on Arabic prosody presage the birth of the Iraqi free verse movement. Chapter Three moves on to discuss the work of Iraqi poet Badr Shākir al-Sayyāb, addressing how his pioneering project of poetic modernism changed in light of his political alignments. It demonstrates how his experience of the 1953 coup against Mosaddegh in Iran forced him to reconsider his Communist affiliations and discerns the effects his changing political outlook had on how he presented his poetry for posterity. Ahmad Shāmlū and Furūgh Farrukhzād, two poets who took up Nīmā's modernist vision in Iran, are the subjects of Chapter Four, which tackles their continued development of Arabic prosody in Persian and ultimate break with the formal constraints Nīmā had continued to adhere to. It also considers Shāmlū's and Farrukhzād's contrasting poetics of death in terms of their transnational poetic engagements. The final chapter turns to examine the Iraqi poet 'Abd al-Wahhāb al-Bayātī's poetics of revolution-which combines existentialism, Sufism, and political commitment-to show how al-Bayātī's use of the poetic masks of 'Umar al-Khayyām and the martyred Sufi Mansūr al-Hallāj works in transnational dialog with the Persian poetic and mystical traditions. By taking the Arabic modernist tradition as its focal point and putting Arabic poetry in conversation with modernist poetry in Persian, this study sheds light on how modernism functions as a planetary movement and calls for a reconsideration of current models for transnational literary analysis, reorienting modernist studies away from vertical approaches to lateral ones that consider minor modernist traditions on their own terms.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Comparative literature; Prosody; Persian language; Poetry; Arabic language; Literary criticism; Vision; Politics; Poetics; Near Eastern studies; Literature; Conversation
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
Language, literature and linguistics;Social sciences;Arabic;Modernism;Near east;Persian;Poetry;Transnationalism
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )