یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Intro; Contents; Publishers's Note; Foreword; On Gil Perez; Preface; Introduction: John Ford's Rhetoric; Judge Priest's Rhetoric; Plato and Cicero; Rhetoric and Comedy; Will Rogers and Stepin Fetchit; Identification; Comedy and Hierarchy; Larger Than Life; The River and the Dance; Politics and Principle; Myth and Truth; Rhetoric of Genre; House of Miscegenation; Road to the Promised Land; I. Cinematic Tropes; Metonymy; Tropes and Figures; Metaphor; The Unraveled Underwear; The Broken Necklace; Metaphor and Metonymy; Synecdoche; The Hands, the Bootie, the Sandals; Faces; The Stolen Necklace
متن يادداشت
Not ReconciledIn the Mood for Love; Tragic Narration; The Personified Camera; Jump Cuts; Crosscutting; Split Space, Unbroken Time; Displeasure; The Devil's Point of View; Allegorical Dimensions; The Garden of Eden; Melodrama and Comedy; Of Identification; Notions and Kinds of Identification; The Projectionist; Notes; Index
متن يادداشت
RosebudHavana Stories; The Dancing Women; The Guillotine; Freedom and Predestination; The Puncture and the Veil; The Train Whistles and the Hunk of Blue; Documentary, Repetition, Representation; The Village Church; The Revolutionary Battleship; Allegory and Extended Synecdoche; The Monster and the City; Steamboat Willie; Figura Futurorum; The Marriage of East and West; The Walls of Jericho; Technique as Metaphor; The Road of Life; The Striped Box; Surprise; The Slashed Eye and the Primal Scene; The Priest and the Pineapple; Irony and Realism; The Bridge and the Ballad; Dramatic Irony
متن يادداشت
The Hurdanos and UsIronic Self-Effacement; Open Synecdoche and the Reality Effect; Hometown and War; God Bless America; The High of War; Reflexivity and Comedy; Modernist Parody; Folk Tale and Revolution; Each Scene for Itself; Black Sheep; Flowers; Melodrama and Film Technique; Between Tragedy and Comedy; From Theater to Film; Thinking and Feeling; The Close-up as Aria; Melodramatic Argumentation; Novelistic Characterization; The Reverse Angle; McTeague and Greed; Photographer; Music into Drama; Melodrama of the Spirited Woman; The Ambiguity of Stella Dallas; Moving with Characters
بدون عنوان
0
بدون عنوان
8
بدون عنوان
8
بدون عنوان
8
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
JSTOR
شماره انبار
22573/ctvpxqzp8
ویراست دیگر از اثر در قالب دیگر رسانه
شماره استاندارد بين المللي کتاب و موسيقي
0816641323
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Metaphor in motion pictures.
موضوع مستند نشده
Motion picture plays-- History and criticism.
موضوع مستند نشده
Motion pictures-- Philosophy.
موضوع مستند نشده
Subjectivity in motion pictures.
موضوع مستند نشده
Metaphor in motion pictures.
موضوع مستند نشده
Motion picture plays.
موضوع مستند نشده
Motion pictures-- Philosophy.
موضوع مستند نشده
PERFORMING ARTS-- Screenplays.
موضوع مستند نشده
Subjectivity in motion pictures.
رده بندی ديویی
شماره
791
.
4301/5
ويراست
23
رده بندی کنگره
شماره رده
PN1995
نشانه اثر
.
P3965
2019eb
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )