یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Introduction : situation normal -- Model bodies, normal curves -- Normalizing the nation : the study of American character -- Passing for normal : fashioning a postwar middle class -- From queer to eternity : normalizing heterosexuality in fact and fiction -- Picture windows and Peyton Place : exposing normality in postwar communities -- Conclusion : home, normal home.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
At the end of World War II, many Americans longed for a return to a more normal way of life after decades of depression and war. In fact, between 1945 and 1963 the idea of "normality" circulated as a keyword in almost every aspect of American culture. But what did this term really mean? What were its parameters? Whom did it propose to include and exclude? In this work the author investigates how and why "normality" reemerged as a potent homogenizing category in postwar America. Working with scientific studies, material culture, literary texts, film, fashion, and the mass media, she charts the pursuit of the "normal" through thematic chapters on the body, character, class, sexuality, and community. She examines such evidence as the "Norm and Norma" models produced during the war by sexologists and anthropologists, statistical composites of "normal" American bodies. In 1945, as thousands of Ohio women signed up for a Norma Look-Alike contest. A "Harvard Study of Normal Men" sought to define the typical American male according to specific criteria, from body shape to upbringing to blood pressure. By the early 1950s, the "man in the gray flannel suit" had come to symbolize what some regarded as the stultifying sameness of the "normalized" middle class. Meanwhile, novels such as From Here to Eternity and Peyton Place both supported and challenged normative ideas about gender, race, and sexuality, even as they worked to critique the postwar culture of surveillance, watching and being watched, through which normalizing power functioned. As efforts to define normality became increasingly personal, the tensions embedded in its binary logic multiplied: Was "normal" descriptive of an average or prescriptive of an ideal? In the end, the author shows that a variety of statistics, assumptions, and aspirations converged to recast "normality" not as something innate or inborn, but rather as a quality to be actively pursued, a standard at once highly seductive and impossible to achieve because it required becoming perfectly average.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
JSTOR
شماره انبار
22573/ctt5n1cmw
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Perfectly average.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Body image-- Social aspects-- United States-- History-- 20th century.
موضوع مستند نشده
Community life-- United States-- History-- 20th century.
موضوع مستند نشده
Middle class-- United States-- History-- 20th century.
موضوع مستند نشده
National characteristics, American.
موضوع مستند نشده
Sex in popular culture-- United States-- History-- 20th century.
موضوع مستند نشده
Body image-- Social aspects.
موضوع مستند نشده
Civilization.
موضوع مستند نشده
Community life.
موضوع مستند نشده
Middle class.
موضوع مستند نشده
National characteristics, American.
موضوع مستند نشده
Sex in popular culture.
موضوع مستند نشده
Social conditions
موضوع مستند نشده
SOCIAL SCIENCE-- General.
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
United States, Civilization, 1945-
موضوع مستند نشده
United States, Social conditions, 1945-
موضوع مستند نشده
United States, history, 20th century
موضوع مستند نشده
United States.
بدون عنوان
0
بدون عنوان
0
بدون عنوان
2
بدون عنوان
7
مقوله موضوعی
موضوع مستند نشده
HIS036000
موضوع مستند نشده
SOC000000
رده بندی ديویی
شماره
973
.
918
ويراست
22
رده بندی کنگره
شماره رده
E169
.
12
نشانه اثر
.
C67
2010
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )