عنوان

Aboriginal art and Australian society :

شابک

1783085339

شابک

9781783085330

شابک اشتباه

1783085312

شابک اشتباه

9781783085316

عنوان اصلي

Aboriginal art and Australian society :

نام عام مواد

[Book]

ساير اطلاعات عنواني

hope and disenchantment /

نام نخستين پديدآور

Laura Fisher.

محل نشرو پخش و غیره

New York :

نام ناشر، پخش کننده و غيره

Anthem Press,

تاریخ نشرو بخش و غیره

2016.

نام خاص و کميت اثر

1 online resource.

عنوان فروست

Anthem studies in Australian literature and culture ;

مشخصه جلد

1

متن يادداشت

Outgrowth of the author's thesis (doctoral--University of New South Wales, 2012).

متن يادداشت

Includes bibliographical references and index.

متن يادداشت

Cover; Half-Title; Series; Title; Copyright; Dedicacation; Contents; Preface and Acknowledgements; Introduction; Part I. Governance, Nationhood and Civil Society; Chapter 1. New Intercultural Relationships in the Post-Assimilation Era; 1.1 Cultural Trauma in Australian Public Culture; 1.2 The End of Assimilation and the Rise of Aboriginal Culture; 1.3 Paul Keating, Indigenised Settler Nationalism and Reconciliation; Chapter 2. Aboriginal People Mobilising Aboriginal Art; 2.1 Aboriginal Art Mobilised in Political and Legal Domains; 2.2 Aboriginal Art, Activism and Pan-Aboriginal Identity

متن يادداشت

2.3 Urban Indigenous Aesthetic Public SpheresChapter 3. Understanding Aboriginal Art Subsidy; 3.1 'Meaningful Work': Making Sense of Aboriginal Art Subsidy; 3.2 The Ambiguity of Aboriginal Art Sector Policy; Chapter 4. The State Mobilising Aboriginal Art; 4.1 The Acquisition, Endorsement and Appropriation of Aboriginal Art and the Growth of Aboriginal Public Culture; Chapter 5. 'Aboriginal Culture' at the Nexus of Justice, Recognition and Redemption; 5.1 Cultural Loss, Cultural Rights and Keeping Culture Strong; 5.2 Aboriginal Art as Metonymic for Aboriginal Culture

متن يادداشت

5.3 Conclusion to Part IPart II. Contemporary Aboriginal Art in the 1980s; Chapter 6. The Emergence of Aboriginal Art in the 1980s; 6.1 The Cultural Cringe and Provincialism; 6.2 The Emergence of Contemporary Aboriginal Art; 6.3 Artistic and Critical Approaches to Aboriginal Art; 6.3.1 Cultural convergence and rapprochement; 6.3.2 'Killing me softly': cultural colonialism and ethnocide; 6.3.3 Landscape and tribalism; 6.3.4 Appropriation; 6.3.5 Postmodernism and conceptualism; 6.3.6 Social justice; 6.4 The Overseas Reception of Aboriginal Art

متن يادداشت

6.5 Postcolonial Critique and Urban Aboriginal Voices6.6 The Bicentenary; 6.7 Conclusion to Part II; Part III. Negotiating Difference; Chapter 7. Negotiating Aboriginal Difference; 7.1 Four Facets of Difference; 7.2 The Cosmopolitan and the Tourist: Being an Outsider with Aboriginal Art; 7.3 Authenticity and 'The Story'; Chapter 8. The Art/Anthropology Binary; 8.1 The Disciplinary Relationship between Art and Anthropology; 8.2 Western Secularisation and the Differentiation of Primitive Art; 8.3 Anthropology, Colonialism and the Urban Aboriginal Art Movement

متن يادداشت

8.4 Conclusion to Part IIIPart IV. Aboriginal Art, Money and the Market; Chapter 9. Ethics and Exploitation in the Aboriginal Art Market; 9.1 The Bifurcation of the Aboriginal Art Market; 9.2 Where Does the Value of Aboriginal Fine Art Reside?; 9.3 Morality and Money in the Aboriginal Art Arena; Chapter 10. 'Aboriginal Mass Culture' and the Cultural Industries; 10.1 A Critical History of 'Aboriginal Mass Culture' and Visual Culture; 10.2 Aboriginal Art and Culture and the Cultural Industries; 10.3 What Do 'Aboriginal Mass Culture' and the Cultural Industries Do to Aboriginal Fine Art?

بدون عنوان

0

بدون عنوان

8

بدون عنوان

8

بدون عنوان

8

بدون عنوان

8

متن يادداشت

"'Hope and Disenchantment' is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society's negotiation of Indigenous people's status within the nation over the last century. Through critical reflection on Aboriginal art's idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art's meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art's vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition"--

منبع سفارش / آدرس اشتراک

JSTOR

شماره انبار

22573/ctt1fmd483

عنوان

Aboriginal art and Australian society.

شماره استاندارد بين المللي کتاب و موسيقي

9781783085316

موضوع مستند نشده

Aboriginal Australians-- Government relations.

موضوع مستند نشده

Art and society-- Australia.

موضوع مستند نشده

Art, Aboriginal Australian.

موضوع مستند نشده

Aboriginal Australians-- Government relations.

موضوع مستند نشده

ART / Australian & Oceanian.

موضوع مستند نشده

ART / General

موضوع مستند نشده

Art and society.

موضوع مستند نشده

Art, Aboriginal Australian.

موضوع مستند نشده

HISTORY / Australia & New Zealand.

موضوع مستند نشده

Australia.

بدون عنوان

7

موضوع مستند نشده

ART-- 000000

شماره

ويراست

شماره رده

نشانه اثر

شماره رده

شماره رده

کد سيستم

کد سيستم

مستند نام اشخاص تاييد نشده

Fisher, Laura,1980-

تاريخ عمليات

20200823053648.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y