یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 215-239) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Introduction -- Why the league? -- What is Jewish music? the League and the dilemmas of musical identity -- Performing a "Jewish repertoire" : Weill, Schoenberg, and Bloch -- "German music," lieder, and the Austrian Franz Schubert -- Handel, Verdi, and national pride -- Beyond ethnic loyalties -- The legacy of the League.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"Offers a clear introduction to a fascinating, yet little known, phenomenon in Nazi Germany, whose very existence will be a surprise to the general public and to historians. Easily blending general history with musicology, the book provides provocative yet compelling analysis of complex issues."--Michael Meyer, author of The Politics of Music in the Third Reich "Hirsch poses complex questions about Jewish identity and Jewish music, and she situates these against a political background vexed by the impossibility of truly viable responses to such questions. Her thorough archival research is complemented by her extensive use of interviews, which gives voice to those swept up in the Holocaust. A Jewish Orchestra in Nazi Germany is a book filled with the stories of real lives, a collective biography in modern music history that must no longer remain in silence."--Philip V. Bohlman, author of Jewish Music and Modernity "An engaging and downright gripping history. The project is original, the research is outstanding, and the presentation lucid."--Karen Painter, author of Symphonic Aspirations: German Music and Politics, 1900-1945 The Jewish Culture League was created in Berlin in June 1933, the only organization in Nazi Germany in which Jews were not only allowed but encouraged to participate in music, both as performers and as audience members. Lily E. Hirsch's A Jewish Orchestra in Nazi Germany is the first book to seriously investigate and parse the complicated questions the existence of this unique organization raised, such as why the Nazis would promote Jewish music when, in the rest of Germany, it was banned. The government's insistence that the League perform only Jewish music also presented the organization's leaders and membership with perplexing conundrums: what exactly is Jewish music? Who qualifies as a Jewish composer? And, if it is true that the Nazis conceived of the League as a propaganda tool, did Jewish participation in its activities amount to collaboration? Lily E. Hirsch is Assistant Professor of Music at Cleveland State University.
یادداشتهای مربوط به نیازمندی های سیستم (منابع الکترونیک)و جزئیات فنی
متن يادداشت
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
JSTOR
شماره انبار
22573/ctt1d3ktzr
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Jewish orchestra in Nazi Germany.
شماره استاندارد بين المللي کتاب و موسيقي
9780472117109
نام تنالگان به منزله موضوع
موضوع مستند نشده
Jüdischer Kulturbund.
موضوع مستند نشده
Jüdischer Kulturbund.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Music-- Political aspects-- Germany-- History-- 20th century.
موضوع مستند نشده
National socialism and music.
موضوع مستند نشده
HISTORY-- General.
موضوع مستند نشده
MUSIC-- Ethnomusicology.
موضوع مستند نشده
Music-- Political aspects.
موضوع مستند نشده
National socialism and music.
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
Germany.
بدون عنوان
7
مقوله موضوعی
موضوع مستند نشده
HIS000000
موضوع مستند نشده
HIS014000
موضوع مستند نشده
HIS022000
موضوع مستند نشده
MUS-- 015000
موضوع مستند نشده
MUS020000
رده بندی ديویی
شماره
780
.
89/924043
ويراست
22
رده بندی کنگره
شماره رده
ML3917
.
G3
نشانه اثر
H57
2010eb
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )