عنوان

Criminal Logistics

شماره

LA119386

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

Criminal Logistics

نام عام مواد

[Article]

نام نخستين پديدآور

Jakob Stougaard-Nielsen

محل نشرو پخش و غیره

Leiden

نام ناشر، پخش کننده و غيره

Brill

متن يادداشت

This article investigates how globalized crime fiction is entangled in the infrastructural system of containerization and the production of our global age. My main examples are two widely circulated Danish contributions, namely Peter Høeg's hybrid crime novel, Miss Smilla's Feeling for Snow (1992), and the TV-crime series, The Killing III (2012). Generally considered as contained by the regional moniker of "Nordic noir" these crime narratives can be seen to explore global "criminal logistics" (e.g. transportation networks, containerization, colonial administration, drugs and human trafficking, global capitalism) and their impact on the smaller local scales of states, families and victimized children. Conversely, with reference to David Simon's The Wire (2002-8), the article considers how this "scale bending" between the local and the global is reproduced in the "down-sizing" of Ancient Greek myths and tragedies into the briefest but also most visible of citations on the hull of the ships at the centre of these transnational Danish crime narratives. This article investigates how globalized crime fiction is entangled in the infrastructural system of containerization and the production of our global age. My main examples are two widely circulated Danish contributions, namely Peter Høeg's hybrid crime novel, Miss Smilla's Feeling for Snow (1992), and the TV-crime series, The Killing III (2012). Generally considered as contained by the regional moniker of "Nordic noir" these crime narratives can be seen to explore global "criminal logistics" (e.g. transportation networks, containerization, colonial administration, drugs and human trafficking, global capitalism) and their impact on the smaller local scales of states, families and victimized children. Conversely, with reference to David Simon's The Wire (2002-8), the article considers how this "scale bending" between the local and the global is reproduced in the "down-sizing" of Ancient Greek myths and tragedies into the briefest but also most visible of citations on the hull of the ships at the centre of these transnational Danish crime narratives. This article investigates how globalized crime fiction is entangled in the infrastructural system of containerization and the production of our global age. My main examples are two widely circulated Danish contributions, namely Peter Høeg's hybrid crime novel, Miss Smilla's Feeling for Snow (1992), and the TV-crime series, The Killing III (2012). Generally considered as contained by the regional moniker of "Nordic noir" these crime narratives can be seen to explore global "criminal logistics" (e.g. transportation networks, containerization, colonial administration, drugs and human trafficking, global capitalism) and their impact on the smaller local scales of states, families and victimized children. Conversely, with reference to David Simon's The Wire (2002-8), the article considers how this "scale bending" between the local and the global is reproduced in the "down-sizing" of Ancient Greek myths and tragedies into the briefest but also most visible of citations on the hull of the ships at the centre of these transnational Danish crime narratives. This article investigates how globalized crime fiction is entangled in the infrastructural system of containerization and the production of our global age. My main examples are two widely circulated Danish contributions, namely Peter Høeg's hybrid crime novel, Miss Smilla's Feeling for Snow (1992), and the TV-crime series, The Killing III (2012). Generally considered as contained by the regional moniker of "Nordic noir" these crime narratives can be seen to explore global "criminal logistics" (e.g. transportation networks, containerization, colonial administration, drugs and human trafficking, global capitalism) and their impact on the smaller local scales of states, families and victimized children. Conversely, with reference to David Simon's The Wire (2002-8), the article considers how this "scale bending" between the local and the global is reproduced in the "down-sizing" of Ancient Greek myths and tragedies into the briefest but also most visible of citations on the hull of the ships at the centre of these transnational Danish crime narratives.

تاريخ نشر

2016

توصيف ظاهري

519-537

عنوان

Journal of World Literature

شماره جلد

1/4

شماره استاندارد بين المللي پياييندها

2405-6480

اصطلاح موضوعی

containerization

اصطلاح موضوعی

crime fiction

اصطلاح موضوعی

globalization

اصطلاح موضوعی

Greek tragedy

اصطلاح موضوعی

infrastructure

اصطلاح موضوعی

Scandinavia

اصطلاح موضوعی

The Killing

اصطلاح موضوعی

The Wire

مستند نام اشخاص تاييد نشده

Jakob Stougaard-Nielsen

شماره بازیابی

10.1163/24056480-00104002

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Article]

کد کاربرگه

275578

سطح دسترسي

a

تكميل شده

Y