عنوان

Grids:

شماره

LA125317

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

Grids:

نام عام مواد

[Article]

ساير اطلاعات عنواني

A Kraussian Perspective on New Windows for the Church

نام نخستين پديدآور

Jonathan Koestlé-Cate

محل نشرو پخش و غیره

Leiden

نام ناشر، پخش کننده و غيره

Brill

متن يادداشت

Rosalind Krauss's landmark essay of 1979 on the grid form in art characterized the grid in equivocal terms as centrifugal and centripetal, as structure and framework, and most significantly for this discussion, as a vehicle for the conjunction of art and spirit. The grid provided artists with a means to surreptitiously reintroduce the spiritual into an art form that appeared, on the surface, to be wholly material. Taking her essay as its basis, this article looks at the work of two contemporary artists known for their adoption of the grid as a guiding motif. In recent years James Hugonin and Gerhard Richter have each produced a stained-glass window for the church using a grid system, here discussed in the terms set out in Krauss's foundational text. Writing on the grid, it is said, has produced "reams and reams of artspeak" yet little in the way of sustained reflection on this visual tendency in art for the church. This article seeks to redress this oversight with reference to two particularly striking examples. Rosalind Krauss's landmark essay of 1979 on the grid form in art characterized the grid in equivocal terms as centrifugal and centripetal, as structure and framework, and most significantly for this discussion, as a vehicle for the conjunction of art and spirit. The grid provided artists with a means to surreptitiously reintroduce the spiritual into an art form that appeared, on the surface, to be wholly material. Taking her essay as its basis, this article looks at the work of two contemporary artists known for their adoption of the grid as a guiding motif. In recent years James Hugonin and Gerhard Richter have each produced a stained-glass window for the church using a grid system, here discussed in the terms set out in Krauss's foundational text. Writing on the grid, it is said, has produced "reams and reams of artspeak" yet little in the way of sustained reflection on this visual tendency in art for the church. This article seeks to redress this oversight with reference to two particularly striking examples.

تاريخ نشر

2014

توصيف ظاهري

672-699

عنوان

Religion and the Arts

شماره جلد

18/5

شماره استاندارد بين المللي پياييندها

1568-5292

اصطلاح موضوعی

art

اصطلاح موضوعی

Gerhard Richter

اصطلاح موضوعی

grid

اصطلاح موضوعی

James Hugonin

اصطلاح موضوعی

Rosalind Krauss

اصطلاح موضوعی

spirit

اصطلاح موضوعی

stained glass

مستند نام اشخاص تاييد نشده

Jonathan Koestlé-Cate

شماره بازیابی

10.1163/15685292-01805004

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Article]

کد کاربرگه

275578

سطح دسترسي

a

تكميل شده

Y